這裡是我的日記本、剪貼簿、心情感想、專題探討；其中屬權管電資管理人之著作權者，皆為讀者全體所共有，歡迎複製、轉載、改作、編輯等分享與利用。
- Apr 08 Wed 2020 01:00
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得勝者 365 (約七)
- Apr 07 Tue 2020 15:00
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美樂蒂
GLUCK MELODIE from ORFEO ed EURIDICE
"Dance of the Blessed Spirits" arr. Giovanni Sgambati
The Gluck Melodie, Dance of the Blessed Spirits from "Orfeo ed Euridice", is one of the most gorgeous melodies in all of opera. The transcription by Giovanni Sgambati is excellent and allows, as you will hear, for a wide range of interpretation. We have many different performances to compare, and many are excellent.
"Dance of the Blessed Spirits" arr. Giovanni Sgambati
The Gluck Melodie, Dance of the Blessed Spirits from "Orfeo ed Euridice", is one of the most gorgeous melodies in all of opera. The transcription by Giovanni Sgambati is excellent and allows, as you will hear, for a wide range of interpretation. We have many different performances to compare, and many are excellent.
- Apr 07 Tue 2020 15:00
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就愛聽故事
天道酬勤，地道酬善，人道酬誠，商道酬信，業道酬精
2018-08-27 尋夢園新聞
「天道酬勤、地道酬善、商道酬信、業道酬精」就是中國傳統哲學的最經典表達。得其神髓者，不僅可獨善其身，也能兼濟天下。
2018-08-27 尋夢園新聞
「天道酬勤、地道酬善、商道酬信、業道酬精」就是中國傳統哲學的最經典表達。得其神髓者，不僅可獨善其身，也能兼濟天下。
- Apr 07 Tue 2020 14:00
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怕怕帕爸
The Dangers of being a Musical Prodigy
Antonio Paganini: Musical Father from Hell
by Georg Predota September 10th, 2017
Antonio Paganini: Musical Father from Hell
by Georg Predota September 10th, 2017
- Apr 07 Tue 2020 02:00
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柔和之美
David Nadien (March 12, 1926 – May 28, 2014) was an American violinist and violin teacher. He was concertmaster of the New York Philharmonic from 1966 to 1970. His playing style has been compared to that of Jascha Heifetz.
Life
David Nadien was born in Brooklyn, New York, on March 12, 1926, the son of Armenian-American George and Bertha Nadien. He started learning violin with his father, then entered the Mannes School of Music; he also studied at the Juilliard School. His teachers included Adolfo Betti, Demetrius Constantine Dounis, Adolf Busch and Ivan Galamian. When he was 18 he was drafted into the US Army, and played with the Army Service Forces Orchestra.
Life
David Nadien was born in Brooklyn, New York, on March 12, 1926, the son of Armenian-American George and Bertha Nadien. He started learning violin with his father, then entered the Mannes School of Music; he also studied at the Juilliard School. His teachers included Adolfo Betti, Demetrius Constantine Dounis, Adolf Busch and Ivan Galamian. When he was 18 he was drafted into the US Army, and played with the Army Service Forces Orchestra.
- Apr 04 Sat 2020 21:00
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髒比
Italian composer Giovanni Zamboni is somewhat of a mystery to the modern listener. Very little is known of his life; he was born in Rome in the latter part of the 17th century, became a virtuoso on the theorbo, lute, harpsichord, guitar, mandore and mandolin, and had a side-career as a jeweller. Several of his compositions have been lost over the years, but among his published works is a collection of four-part madrigals and a collection of solo lute music, the Sonate d’intavolatura di leuto.
Published in Lucca in 1718, the Sonate d’intavolatura di leuto is among the latest sources of solo lute music, written in Italian tablatures. The works contained within show the blurring of lines between the two accepted styles of sonata; those for the church (da chiesa) and those for domestic use (da camera). Many of Zamboni’s lute sonatas are written in four-part sets, containing mainly dance movements. This makes No.11 distinctly atypical, as its Currante, Sarabanda and Minuet – which signal a da camera purpose – contrast with its opening movement, a Grave, much more characteristic of the seriousness of the da chiesa style.
Published in Lucca in 1718, the Sonate d’intavolatura di leuto is among the latest sources of solo lute music, written in Italian tablatures. The works contained within show the blurring of lines between the two accepted styles of sonata; those for the church (da chiesa) and those for domestic use (da camera). Many of Zamboni’s lute sonatas are written in four-part sets, containing mainly dance movements. This makes No.11 distinctly atypical, as its Currante, Sarabanda and Minuet – which signal a da camera purpose – contrast with its opening movement, a Grave, much more characteristic of the seriousness of the da chiesa style.
- Apr 04 Sat 2020 16:00
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訴訟標的理論一覽
五大訴訟標的理論：
A 舊訴訟標的理論︰舊訴訟標的理論係以實體法上權利義務法律關係（請求權、形成權）作為認定訴訟標的之標準。是以在訴訟程序中認定有無重複起訴禁止、有無變更追加、前訴確定後後訴是否受既判力遮斷等問題，便以是否具有不同之實體法上權利關係為決定。
A 舊訴訟標的理論︰舊訴訟標的理論係以實體法上權利義務法律關係（請求權、形成權）作為認定訴訟標的之標準。是以在訴訟程序中認定有無重複起訴禁止、有無變更追加、前訴確定後後訴是否受既判力遮斷等問題，便以是否具有不同之實體法上權利關係為決定。
- Apr 04 Sat 2020 15:30
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形成之訴
形成之訴：
(1)意義：指原告藉「形成聲明」形成一新的法律關係狀態，使當事人間之法律關係發生、變更、消滅等發生變動效力之訴訟型態。
(2)類型：
A 通常的形成之訴：
(A) 實體法上形成之訴：主要目的在對世發生形成效果，多半具對世效，如：撤銷婚姻之訴（民法§989以下）、離婚之訴（民法§1052）、撤銷詐害債權之訴（民法244）、撤銷暴利行為之訴（民法§74）、撤銷股東會決議之訴（公司法§189）。
(B) 訴訟法上形成之訴：通常適用判決效力相對性原則，如：再審之訴（民訴§496）、撤銷除權判決之訴（民訴§551第2項）。
(1)意義：指原告藉「形成聲明」形成一新的法律關係狀態，使當事人間之法律關係發生、變更、消滅等發生變動效力之訴訟型態。
(2)類型：
A 通常的形成之訴：
(A) 實體法上形成之訴：主要目的在對世發生形成效果，多半具對世效，如：撤銷婚姻之訴（民法§989以下）、離婚之訴（民法§1052）、撤銷詐害債權之訴（民法244）、撤銷暴利行為之訴（民法§74）、撤銷股東會決議之訴（公司法§189）。
(B) 訴訟法上形成之訴：通常適用判決效力相對性原則，如：再審之訴（民訴§496）、撤銷除權判決之訴（民訴§551第2項）。