自強街87號

The first concert Frédéric Chopin gave in Paris (the city which would be his new home town) was in 1832 playing a new Pleyel piano. The press, in the person of the influential Francois-Joseph Fétis, was enthousiastic, he praised the “spiritualized melodies, the fanciful landscapes and uniqueness in all”. Chopin himself was in love with the instrument, with “the lightness of touch and the songful singsong tone”. From then on his instrument of preference would be Pleyel.
In his search for the ideal Chopin tone pianist Hubert Rutkowski studies the writings and recordings of the students of Mikuli, who himself was a student of Chopin. Notably Moritz Rosenthal and Raul Koczalski are the greatest inspirations, in their refined artistic ease, fanciful rubato and a perfect legato.

Mariangela Vacatello (born January 22, 1982) is an Italian Classical Professional Pianist from Naples.
Early life
Vacatello comes from a musical family: her mother, Pina, was a pianist and now is a piano teacher and her father, Antonio, is a piano tuner as well as a professor and musician. When Vacatello was four years old, she began taking Yamaha Music Course. At age seven, she continued studying solo piano with a pupil of the famous Italian pianist and pedagogue Vincenzo Vitale, Aldo Tramma. By the time she was already admitted to the International Piano Academy "Incontri col Maestro" in Imola where she became a maestro in 2006 after studying under guidance of Franco Scala and Piero Rattalino. At the same time she also studied in Milan Conservatory "G. Verdi" with Riccardo Risaliti and Paolo Bordoni where in 1999 she obtained her piano degree with cum Laude Honourable mention. In the same conservatory, Vacatello studied composition for several years with Bruno Zanolini and Fabio Vacchi. Vacatello completed her Postgraduate Piano Performance Course at the Royal Academy of Music in London with Christopher Elton as well as Dominique Merlet in Paris. She participated in masterclasses held by Alexander Lonquich, Louis Lortie, Andreij Jasinskj, Leslie Howard, Michael Dalberto, Andrea Lucchesini, Alexis Weissenberg, Vitaly Margulis, Sergeij Dorensky, Elissò Virsaladze.

嬉遊曲（Divertimento）是一種流行於十八世紀的 輕組曲。在當時主要用在上層階級與宮廷生活（主要是在奧地利）的娛樂、社交、慶祝場合，相對於小夜曲是用於室外的演奏，嬉遊曲主要是用在室內的演奏。
嬉遊曲的語源來自於義大利文的 'divertire'，有 '使人歡樂、消遣' 之意。嬉遊曲常作為小型室內合奏器樂曲，樂器組成、樂章數目以及曲式都十分自由。合奏人數通常在三到八人之間，通常由三到十個小樂章構成，曲式通常以舞曲（尤其是小步舞曲）、進行曲、變奏曲、奏鳴曲式等為主，並沒有嚴格限定。

Sandro Ivo Bartoli (born February 10, 1970 in Pisa) is an Italian pianist.
Early career
From the early 1990s, Bartoli has rediscovered, played and recorded Italian classical music from the early twentieth century, leading a fashion. His performance of the concertos of Respighi (Bedford, 1991), Malipiero (London, 1994) and Casella (1995), was followed by the first modern production in the United States of Ottorino Respighi's Toccata for piano and orchestra, with the Johnson City Symphony under Lewis Dalvit which was broadcast live by PBS and added to PBS' Great Performances series. After this success, Bartoli signed his first recording contract, with ASV, for an album of the piano works of Malipiero, and, the following year, a recording of music by Casella.

never my love, the association
cara mia, 

這幾首也好好聽，過去一直不知道歌名：
garry lweis, the diamond ring
the supremes, stop in the name of love
dean martin, everybody loves somebody
the supremes, baby love
the beatles, twist and shout
the dave clark five, because
chubby checker, the twist
paul anka, puppy love
 

"Plaisir d'amour" (literally "Pleasure of love") is a classical French love song written in 1784 by Jean-Paul-Égide Martini (1741–1816); it took its text from a poem by Jean-Pierre Claris de Florian (1755–1794), which appears in his novel Célestine.
The song was greatly successful in Martini's version. For example, a young woman, Madame Julie Charles, sang it to the poet Alphonse de Lamartine during his cure at Aix-les-Bains in 1816, and the poet was to recall it 30 years later.

Joseph Yulyevich Achron, also seen as Akhron (Russian: Иосиф Юльевич Ахрон, Hebrew: יוסף אחרון) (May 1, 1886 – April 29, 1943) was a Russian-born Jewish composer and violinist, who settled in the United States. His preoccupation with Jewish elements and his desire to develop a "Jewish" harmonic and contrapuntal idiom, underscored and informed much of his work. His friend, the composer Arnold Schoenberg, described Achron in his obituary as "one of the most underrated modern composers"
~ wiki

GLUCK MELODIE from ORFEO ed EURIDICE
"Dance of the Blessed Spirits" arr. Giovanni Sgambati
The Gluck Melodie, Dance of the Blessed Spirits from "Orfeo ed Euridice", is one of the most gorgeous melodies in all of opera. The transcription by Giovanni Sgambati is excellent and allows, as you will hear, for a wide range of interpretation. We have many different performances to compare, and many are excellent.

The Dangers of being a Musical Prodigy
Antonio Paganini: Musical Father from Hell
by Georg Predota  September 10th, 2017