自強之路

傑恩·克拉德波里萊（Jean-Claude Borelly，1953年7月2日－），法國作曲家及小號演奏家。其演奏作品主要以大眾接受度高的樂曲為主，而較少演奏古典音樂。

生平
1953年7月2日，傑恩·克拉德波里萊出生在巴黎。在7歲的時候，他在電視上看到了路易斯·阿姆斯特朗的小號演奏，從此開始對小號的演奏有了興趣。16歲時進入巴黎國立高等音樂舞蹈學院學習小號演奏，在18歲時便可教授初學者學習小號演奏，1972年開始登台演出。1970年代，傑恩·克拉德波里萊迷戀上了藍調音樂，於是便放棄了自己所從事的古典音樂研究，開始研究流行音樂。

1975年，在與保羅·塞內維爾和奧利維爾·杜桑的合作下，為電影《壽衣沒有口袋》演奏了主題曲《德朗的微笑》，雖然電影並不受歡迎，但此次專輯的發行成為了他的人生轉折點，唱片隨即在法國、瑞士、比利時、德國、奧地利和荷蘭暢銷，並在不久暢銷於拉丁美洲國家和日本，發行總量超過500萬張。在第一張專輯《德朗的微笑》的成功發行後，他開發了一個非常優美浪漫的音樂風格。在1976年成為了達芬唱片的一員，並發行了第二張專輯《海的協奏曲》，之後開始了在世界各國的巡迴演出。1977年至1984年，他繼續在世界各地巡迴演出。

Sonor is a German drum kit and percussion manufacturer.

The company was founded in 1875 as a percussion manufacturer. One of the oldest existing models of drums manufactured by Sonor is a 1942 Johannes Link Parade Snare, a very heavy snare drum with an alumininum shell and thick tension rods.

In the 1980s, Sonor's tagline was "The Rolls of drums". The drums were made very thick (13 mm) and heavy shells that were beech wood, with an innermost and outermost ply of furniture-grade veneers, such as rosewood and bubinga. Nicko McBrain of Iron Maiden was one of the most prominent Sonor artists of the 1980s, along with Steve Smith of Journey, Phil Rudd of AC/DC, Thomas Haake of Meshuggah and jazz legend Jack DeJohnette.

Sonor invented the modern screw thread drum-construction and the metal snare drum in the early 20th century. William F. Ludwig got this idea in his early years back in Germany from Sonor and began to use it later in Chicago.

特雷門（英語：Theremin，又譯為泰雷明、泰勒明）是 1919 年時由俄國發明家李昂·特雷門（Лев Термен；Lev Termin，移民美國後較常稱為 Léon Theremin，1896年-1993年）所發明的一種插電樂器，是世界最早的電子樂器之一。別稱為 Терменвокс（俄語），Thereminvox（英語）。1929年約瑟·舒爾凌格為特雷門創作了一首《特雷門與樂隊組曲》，並由發明家親自演奏。

原理
特雷門1919年發明，樂器包含有兩個像天線的突出構造，一個是長直金屬桿，一個是環狀的水平金屬圈， 垂直桿控制音頻率高低，水平環狀圈控制音量大小。原理是利用手與天線構造的距離遠近，改變其電容之大小，而影響其振盪迴路之振盪頻率。由於音色特殊，早期許多電影的恐怖氣氛都是用它來營造的。

不過因為手的位置沒有明顯的記號可參考，完全靠演奏者的感覺，音準控制不易，操作起來有相當的難度，極少人專精此項樂器。

白金屬（英語： White metal, unBlack metal, Christian metal, Gospel heavy metal）存在於所有重金屬音樂分支流派之中。白金屬其共同性質以及與其他重金屬派系最大區分為，會在歌詞中使用大量的宣揚基督教精神或勸人積極向上，充滿正面能量的歌詞。曲風部分不侷限於以往福音音樂都較為莊嚴肅穆的形象，可能使用了任何一種重金屬音樂派系的編曲，其包含了「流行金屬」，「鞭擊金屬」或「主流金屬」等。~ wiki

以下為網友的推薦：

德國有一個 Mad Max 後來復出的兩張專輯 Night Of White Rock、White Sands 就轉變成 Christian Rock 的風格，我覺得蠻不錯的，另外還有一個老團 Stryper 專輯 Murder By Pride 不妨一試

GOTHIC 就是把哥德式藝術帶進 METAL 結構的樂風 大多女主唱

Antonio Salieri (Italian: [anˈtɔːnjo saˈljɛːri]; 18 August 1750 – 7 May 1825) was an Italian classical composer, conductor, teacher and rival of Wolfgang Amadeus Mozart. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy.

Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.

Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna's musical life. Franz Liszt, Franz Schubert, Ludwig van Beethoven, Johann Nepomuk Hummel and Franz Xaver Wolfgang Mozart were among the most famous of his pupils.

Salieri's music slowly disappeared from the repertoire between 1800 and 1868 and was rarely heard after that period until the revival of his fame in the late 20th century. This revival was due to the dramatic and highly fictionalized depiction of Salieri in Peter Shaffer's play Amadeus (1979) and its 1984 film version. The death of Wolfgang Amadeus Mozart in 1791 at the age of 35 was followed by rumors that he and Salieri had been bitter rivals, and that Salieri had poisoned the younger composer, yet it is likely that they were, at least, mutually respectful peers.

雙琴俠（英語：TwoSet Violin）是澳大利亞台灣裔小提琴家楊博堯（Brett Yang）和陳韋丞（Eddy Chen）2013 年創建於 YouTube 的音樂組合。兩人以古典音樂為主題，在同名 YouTube 頻道發布的搞笑視頻吸引了 140 餘萬用戶的訂閱，總觀看量達 2.4 億（截至2019年7月）。

簡介
14 歲的楊博堯和 13 歲的陳韋丞在一次數學輔導課上初次結識，兩人是所在青年管弦樂團的最年輕成員，後來都入讀昆士蘭音樂學院。作為獨奏家，他們與多個澳大利亞知名管弦樂團有過合作經歷，例如雪梨交響樂團和昆士蘭交響樂團，楊博堯還曾受邀在 2014 年 G20 布里斯班峰會上表演。

2013年，雙琴俠開始在 YouTube 上發布視頻，用小提琴演奏流行音樂，初期反響平平。受另一名 YouTuber、小提琴家陳銳啟發，他們將視頻內容輕鬆化，用幽默搞笑的方式介紹古典音樂文化、音樂學院生活等等，關注度逐漸大幅度提高。

帕格尼尼的追思 Paganiniana, 小提琴獨奏變奏曲 Variations for Violin Solo (1954)
米爾斯坦 Nathan Milstein (1904-1992)

《帕格尼尼》是 20 世紀偉大的小提琴家米爾斯坦根據《帕格尼尼24首隨想曲》和他的《第一小提琴協奏曲》作為主旋律和變奏曲創作出來 超炫技 的作品。即使是登臺演出中，米爾斯坦也經常會聆聽他心靈的聲音來即興創作。但自從這個版本在 1954 年出版以後就成了小提琴家們演奏的常規曲目。

這首曲子的主旋律是取材于廣為人知的帕格尼尼的寫給小提琴的《a小調第 24 號隨想曲》。很多作曲家都為這個作品的旋律創作了變奏曲，其中包括勃拉姆斯加以變奏寫成的鋼琴變奏曲獨奏作品Op.35；和拉赫瑪尼諾夫的狂想曲 Op.43。~ 改作自 澳門古典音樂學會 官網

Enrico Toselli, Count of Montignoso (March 13, 1883 – January 15, 1926), was an Italian pianist and composer. Born in Florence, he studied piano with Giovanni Sgambati and composition with Giuseppe Martucci and Reginaldo Grazzini. He embarked on a career as a concert pianist, playing in Italy, European capital cities, Alexandria and North America. His most popular composition is Serenata 'Rimpianto' Op.6 No.1. His other works include two operettas, La cattiva Francesca (1912) and La principessa bizzarra (1913).

Toselli's fame largely derives not from his musical ability but from his scandalous elopement with Archduchess Louise of Austria, the former Crown Princess of Saxony, in 1907. She had previously deserted her husband, Frederick Augustus of Saxony, and they had divorced in 1903. Her ex-husband became king of Saxony in 1904.

Toselli's marriage ended in divorce in 1912. They had one son, Carlo Emanuele (7 May 1908 – 1969). Toselli's memoirs of his marriage to royalty, Mari d'altesse: 4 ans de mariage avec Louise de Toscane, ex-princesse de Saxe, were published in French after his divorce.

~ wiki

Mūza Rubackytė (born May 19, 1959) is a Lithuanian pianist, currently residing in Vilnius and Paris. Rubackytė has been awarded the Order of the Lithuanian Grand Duke Gediminas, Lithuanian Muzes, and has been named as the National Artist of Lithuania.

She holds various teaching positions at a number of educational institutions, including the Lithuanian Academy of Music and Theater in Vilnius, Conservatoire Rachmaninoff in Paris, Tchaikovsky Conservatory in Moscow, Messiaen Academy of Music in the Netherlands. She has also been a judge at the Lithuanian International Piano Competition and International F. Liszt Piano Competition.

A native of Lithuania, Mūza Rubackytė was born into a family of musicians. At the age of 7, she made her professional debut in the capital city of Vilnius performing Haydn's D Major Piano Concerto with the Lithuanian National Chamber Orchestra. Six years later, she won the first prize in the National Young Artists Competition. The victory opened the doors to the Moscow Tchaikovsky Conservatory, where she studied under Yakov Flier, Mikhail Voskressensky and Bela Davidovitch. During her conservatoire period, she won the first prize in the Tallinn (Estonia) Piano Competition and shortly thereafter was awarded the Conservatory's first prize in solo piano, chamber music and accompaniment.

During the Soviet period, Mūza Rubackytė was not allowed to travel outside the Communist Bloc but performed with orchestras of the Baltic states, Ukraine, Armenia, Uzbekistan, Kazakhstan and Belarus, as well as the great ensembles of Moscow, Vilnius and St. Petersburg. She has lived in Paris since 1991. ~wiki

The Cello Sonata in G minor, Op. 65, was written by Frédéric Chopin in 1846. It is one of only nine works of Chopin published during his lifetime that were written for instruments other than piano (although the piano still appears in every work he wrote). Chopin composed four sonatas, the others being piano sonatas. The cello sonata was the last of Chopin's works to be published in his lifetime.

The sonata was written for and dedicated to Auguste Franchomme. The sonata is remarkable for the concentration of its material: much of the music of the first movement grows out of the cello’s opening statement, and certain theme-shapes appear in all its movements. The last three movements were first publicly performed by Franchomme and Chopin at the composer's last public concert, at the Salle Pleyel on 16 February 1848. ~ wiki

說真的，我還是覺得超 '鋼琴' 的，哪有伴奏那麼難的啦~ ㄏㄏ

蕭邦為人聲所寫的歌曲

Peter Greiner Violin to be Sold Under the Hammer For First Time in History 

Acclaimed German violin maker Peter Greiner chats with Tarisio Director, Jason Price about the upcoming auction sale of a Greiner violin – the first in history to be sold under the hammer. Peter counts virtuosi Christian Tetzlaff, Kim Kashkashian, Leonidas Kavakos, Ning Feng, Isabelle van Keulen and members of the Alban Berg Quartet among his clientele.

The violin, Greiner's 131st was completed in 2004, and is expected to sell for between £25,000~40,000 (US $43,000~68,000).

The highest price on record paid for a living maker's violin stands at USD $132,000, set in 2013 for the sale of a Joseph Curtin & Gregg T. Alf Guarneri copy – previously owned by Ruggiero Ricci. Bidding on the Greiner, lot 165 in Tarisio Auction’s June 2014 London sale, ends June 23rd.

Stefan-Peter Greiner (born 1966 in Stuttgart) is a German luthier.

He built his first violin at the age of 14. He completed his training in Bonn, where he currently resides. His goal is to build instruments which come close to the singing voice, which means focusing on the range from 2000 to 4000 Hz.

During a longstanding partnership with the Remagner physicist Heinrich Dünnwald, who has acoustically analysed over 1300 violins, Greiner has succeeded in coming closer and closer to the antique sound of Guarneri and Stradivari. He received the 2003 Rheingau Musikpreis. His clients include Frans Helmersson, Leonidas Kavakos, Kim Kashkashian, Bruno Monsaingeon, Frédéric Pelassy, Christian Tetzlaff, Isabelle van Keulen, Antje Weithaas, the Keller Quartet and members of the Hagen Quartet and the Alban Berg Quartet. Over 100 CDs featuring his instruments have been released.

這就是革命性的思維！這就是突破傳統侷限的的勇氣！

朱塞佩．耶穌．瓜奈里
Giuseppe del Gesù Guarneri , 1698 -1744
製琴學派： Italy System,Cremona School,Guarneri Family ~ 奇美博物館收藏數位專文

生平介紹：

Baron Arthur Grumiaux (21 March 1921 – 16 October 1986) was a Belgian violinist.

Early life

Born in the Belgian town of Villers-Perwin, on 21 March 1921, Grumiaux was only three years old when his grandfather urged him to begin music studies. He entered the conservatoire in Charleroi at the age of six; the normal entry age was eleven. He studied violin and piano there until the age of eleven, when he graduated and moved to the Royal Conservatoire in Brussels to study violin.

Career

A Stradivarius is one of the violins, violas, cellos and other string instruments built by members of the Italian family Stradivari, particularly Antonio Stradivari (Latin: Antonius Stradivarius), during the 17th and 18th centuries. According to their reputation, the quality of their sound has defied attempts to explain or equal it, though this belief is disputed. The fame of Stradivarius instruments is widespread, appearing in numerous works of fiction.

Comparisons in sound quality
Above all, these instruments are famous for the quality of sound they produce. However, the many blind experiments from 1817 to the present (as of 2014) have never found any difference in sound between Stradivari's violins and high-quality violins in comparable style of other makers and periods, nor has acoustic analysis. In a particularly famous test on a BBC Radio 3 programme in 1977, the violinists Isaac Stern and Pinchas Zukerman and the violin expert and dealer Charles Beare tried to distinguish between the "Chaconne" Stradivarius, a 1739 Guarneri del Gesú, an 1846 Vuillaume, and a 1976 British violin played behind a screen by a professional soloist. The two violinists were allowed to play all the instruments first. None of the listeners identified more than two of the four instruments. Two of the listeners identified the 20th-century violin as the Stradivarius. Violinists and others have criticized these tests on various grounds such as that they are not double-blind (in most cases), the judges are often not experts, and the sounds of violins are hard to evaluate objectively and reproducibly.

In a test in 2009, the British violinist Matthew Trusler played his 1711 Stradivarius, said to be worth two million U.S. dollars, and four modern violins made by the Swiss violin-maker Michael Rhonheimer. One of Rhonheimer's violins, made with wood that the Empa (Swiss Federal Laboratories for Materials Science and Technology) researcher Francis Schwarze had treated with fungi, received 90 of the 180 votes for the best tone, while the Stradivarius came second with 39 votes. The majority (113) of the listeners misidentified the winning violin as the Stradivarius.

Here comes the sun (doo doo doo)
Here comes the sun, and I say
It's all right

Little darling, it's been a long cold lonely winter

[Intro]
Michelle, ma belle
These are words that go together well
My Michelle

"Till There Was You" is a song written by Meredith Willson for his musical play The Music Man (1957), and which also appeared in the 1962 movie version. It is sung by librarian Marian Paroo (performed by Barbara Cook on Broadway, and by Shirley Jones in the film) to "Professor" Harold Hill (portrayed on Broadway and in the film by Robert Preston) toward the end of Act Two.

The song became a hit for Anita Bryant in 1959, reaching number 30 on the US Billboard Hot 100 and spending two weeks at number 14 on Cash Box. "Till There Was You" was covered by the Beatles in 1963.

History
The first recording of the song to be released was produced by Nelson Riddle, featuring his orchestra and 17-year-old vocalist Sue Raney. Promotional copies of the 45 rpm single, Capitol P3847, were released on November 26, 1957, even before the Broadway production had premiered on December 19, 1957, and a month ahead of the original cast album.

Alessandro Deljavan (born February 1, 1987) is an Italian classical pianist.

Biography
He began studying piano when he was not even two years old. After receiving a degree from the Conservatory of Milan, Italy, he was selected for the prestigious Lake Como International Piano Association where he studied with William Grant Naboré, Dimitri Bashkirov, Laurent Boullet, Fou Ts'ong, Dominique Merlet, John Perry, Menahem Pressler, and Andreas Staier.

Concert activity

Antal Zalai (Hungarian: Zalai Antal; born January 31, 1981 in Budapest as Antal Szalai) is a Hungarian concert violinist.

Antal Zalai began his classical violin studies at the age of five. He graduated from the Royal Conservatory of Brussels in 2009 where he was a student of Kati Sebestyén. Prior to his studies in Brussels, his teachers were László Dénes, Péter Komlós and Jozef Kopelman in Budapest. In addition, Zalai has attended masterclasses with Isaac Stern, Pinchas Zukerman, Erick Friedman, Tibor Varga, Lewis Kaplan and György Pauk.

At age 15 he gained international recognition by performing the Bartók Violin Concerto No.1 at Lord Yehudi Menuhin's 80th anniversary tribute gala concert at the Grand Hall of the Franz Liszt Academy of Music in Budapest on 1 October 1996. In the development of his career, Zalai has enjoyed collaborations with eminent conductors such as Fabio Luisi, Paavo Järvi, Yoel Levi, Lawrence Foster, Gilbert Varga, Shlomo Mintz, Ludovic Morlot, Laurent Petitgirard, Enrique Bátiz Campbell, Yip Wing-sie, and Gábor Takács-Nagy.

He made his UK debut in Liverpool in 2008 where he performed the Glazunov Violin Concerto with the Royal Liverpool Philharmonic and conductor Ludovic Morlot. He performed the same violin concerto at his Berlin debut in 2008, as soloist of the Deutsches Symphonie-Orchester Berlin in the Berliner Philharmonie.