關於愛，我是個小學生。

Sergei Bortkiewicz (Ukrainian: Сергі́й Едуа́рдович Бортке́вич, Russian: Серге́й Эдуа́рдович Бортке́вич; 28 February 1877 [O.S. 16 February] – 25 October 1952) was a Romantic composer and pianist.

Bortkiewicz's piano style was very much based on Liszt and Chopin, nurtured by Tchaikovsky, Rachmaninoff, early Scriabin, Wagner and Ukrainian folklore. The composer never saw himself as a "modernist", as can be seen from his Künstlerisches Glaubensbekenntnis, written in 1923. His workmanship is meticulous, his imagination colourful and sensitive, his piano writing idiomatic; a lush instrumentation underlines the essential sentimentality of the melodic invention. But Bortkiewicz was not merely an imitator, he very much had his own style that drew upon all the influences of his life and that can be immediately recognised as a typically Bortkiewicz tone: lyrical and nostalgic.

With much thanks to Hugo van Dalen, his close friend, we can still enjoy Bortkiewicz's music and learn much about his life from the many letters he sent to the Dutch pianist. When van Dalen died in 1967 his family bequeathed the manuscripts of several compositions (such as the 12 Etudes, Op. 29, dedicated to van Dalen); a written autobiography Erinnerungen (published in German in Musik des Ostens, 1971, pp. 136–69, in Dutch by Hugo van Dalen in De Zevende Dag, July–August 1939, and in English by B. N. Thadani, Recollections, 2nd ed., Cantext, 2001); plus a number of letters and printed music to the Gemeentemuseum in The Hague, which recently passed it on to the Netherlands Music Institute (NMI). The NMI has the only existing copy of the manuscript of the Piano Sonata No. 2, Op. 60, and of two of the Preludes, Op. 66.

~ wiki

so lucky enough today that his precious recordings, a series of trimendous medlay of romantic jems, could be reserved...

and what about his etudes?