這個觀念實在重要，不說不可；但受限於時間，只好用英打了，免得又有人說我每天只曉得打球、用功不夠... :)
this morning as usual, i went practicing to the green lake, what only differed was being with ben this time. there i met whom was also regarded to be as usual rather what they taught me differed also, which enlightened my thinnest string of hope of finding any other clue to a powerful swoosh, besides what i've already sauntered through the colorful world of brand new grand 14, to realize that the real power consists in a thorugh recoiling of the hip generated by the flipping right thigh, linking and amplifying the leverage formed well with my shoulders and arms that would be poking at my left foot right after a bullet flash on condition that my head's tacked still.
that is true, yet i have to admit that dondie revealed a way to squeeze more power without being against the above 'principles' or 'maxims' by utilizing a little trick of 'footwork', not 'that footwork', but a delicated stance and club head lie beyond my measurement. and i took that as one of his most useful secrets of 'smokin over the hazard', which is:
make your stance a bit closed as you would hit a normal draw, but without your club head aligning with the target line. a push thereafter? no, well, theoretically yes. why not? the reason is quite simple if you read well into the grand 14: cuz you at the same time thrust both your torso and arms to the bottom left, namely, at the left foot. this poking motion, a harsh closing cast, compensates the open club face in the very setting, so the club face still remains square, while the taking up arc becomes thus larger and wider in a stance of hitting a draw. the trajectory looks more curvy, a stretching way from the right side out and bending back into the original aiming line, like a huge draw but never a hook. mclroy and day play this kind of draws quite often. it has at least two pros: one is of course the potential of creating amzing distance. the other is the larger possible landing area where you can lower some unwated risk when you only understand to swing a square straight shot. however it has a con also: when you hit wrong, a terrible push can cost you many extra strokes. yet i think it's still worth trying when teeing off, especially when you're at the tee, trying to shake your tail feather to other golfmates.
as usual, it couldn't be easier after it had been explained in detail. dondie himself may not know why; he only knows how, and that's enough, for this explosive power will win him not only rare exclaim from the bystanders amid, but exclaims from himself after checking his bank account.
this morning as usual, i went practicing to the green lake, what only differed was being with ben this time. there i met whom was also regarded to be as usual rather what they taught me differed also, which enlightened my thinnest string of hope of finding any other clue to a powerful swoosh, besides what i've already sauntered through the colorful world of brand new grand 14, to realize that the real power consists in a thorugh recoiling of the hip generated by the flipping right thigh, linking and amplifying the leverage formed well with my shoulders and arms that would be poking at my left foot right after a bullet flash on condition that my head's tacked still.
that is true, yet i have to admit that dondie revealed a way to squeeze more power without being against the above 'principles' or 'maxims' by utilizing a little trick of 'footwork', not 'that footwork', but a delicated stance and club head lie beyond my measurement. and i took that as one of his most useful secrets of 'smokin over the hazard', which is:
make your stance a bit closed as you would hit a normal draw, but without your club head aligning with the target line. a push thereafter? no, well, theoretically yes. why not? the reason is quite simple if you read well into the grand 14: cuz you at the same time thrust both your torso and arms to the bottom left, namely, at the left foot. this poking motion, a harsh closing cast, compensates the open club face in the very setting, so the club face still remains square, while the taking up arc becomes thus larger and wider in a stance of hitting a draw. the trajectory looks more curvy, a stretching way from the right side out and bending back into the original aiming line, like a huge draw but never a hook. mclroy and day play this kind of draws quite often. it has at least two pros: one is of course the potential of creating amzing distance. the other is the larger possible landing area where you can lower some unwated risk when you only understand to swing a square straight shot. however it has a con also: when you hit wrong, a terrible push can cost you many extra strokes. yet i think it's still worth trying when teeing off, especially when you're at the tee, trying to shake your tail feather to other golfmates.
as usual, it couldn't be easier after it had been explained in detail. dondie himself may not know why; he only knows how, and that's enough, for this explosive power will win him not only rare exclaim from the bystanders amid, but exclaims from himself after checking his bank account.
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